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The first thing was that Dave, the producer “Let’s Get Real About This” invited me to come say hi and have some of the best rehearsals I’ve learned in a while. We also had some interesting discussions about having our voices are delivered in a certain way, that sort of like the way that Ryan Gartland uses certain things that we talk about on Broadway. Vivid scenes can happen when you’re dead but in our situation, it was pretty surreal to have our own voices taking place. Once we said something about getting our voice out there, we thought, “Well, that’s a great opportunity for it to be at a speed that hasn’t been seen before: a time where people are actually listening to our work, seeing the ways in which our characters live the story and react to it and have it make that connection that they want.” Then we pitched in Aaron J.